Hebrews 13:14
U
Lyrics
[0:00–0:16 — FIRST PASS / NOTHING HERE STAYS] Hebrews thirteen, fourteen. For here have we no continuing city, but we seek one to come. [Start bone-dry and close. Phone-mic male tenor, faint room hiss, one muted acoustic strum, low bass pulse and a distant electric-guitar harmonic. No drums. Let “no continuing city” sound sober and almost obvious. Leave a real pocket of silence before “but we seek one to come.”] [0:17–0:43 — SECOND PASS / THE WALK RESUMES] Hebrews chapter thirteen, verse fourteen. For here have we no continuing city, but we seek one to come. [Bring in dusty boom-bap drums, warm bass guitar, fast muted acoustic strum loop, foot stomp and wide alt-rock haze.] [LEAD] For here have we no continuing city. [ONE ROUGH OFF-MIC VOICE] No continuing city. [LEAD] But we seek— [MICRO-SILENCE] One to come. [ROUGH CREW — ONE SHORT RESPONSE] One to come. [Cut immediately.] [ACOUSTIC MICROBURST: one quick ascending fingerpicked phrase after “come,” then straight back into the dry strum.] [0:44–1:10 — INTERLUDE / DON'T SETTLE HERE] Ooh. Yeah. No continuing city. [Let the bassline walk while the acoustic keeps moving forward.] [PSYCHEDELIC MICROBURST: one reverse electric-guitar tail briefly pulls backward as though looking at the city behind you, then snaps forward.] But we seek one to come. [ONE LOW VOICE] We seek. [ALT-ROCK MICROBURST: one brief wide guitar bloom after “come,” bright and longing, then gone.] [1:11–1:43 — THIRD PASS / FORWARD, NOT ROOTED HERE] The epistle to the Hebrews, chapter thirteen, verse fourteen. For here have we no continuing city, but we seek one to come. [Start with acoustic strum and close lead only. Add stomp, bass, then dusty boom-bap drums. Let this pass feel more certain, not bigger.] [LEAD] For here have we no continuing city. [ONE ROUGH VOICE] No city. [LEAD] But we seek one to come. [ROUGH CREW — ONE WARM, UNEVEN DOUBLE] We seek one to come. [Do not repeat.] [OUTRO / WALK PAST THE CITY LIGHTS] Ooh. Yeah. [No more scripture repetition. Let the fast acoustic loop ride under dusty drums, warm bass, foot stomps and wide electric shimmer. One friend hums a rough ascending melody.] [Gradually remove the electric guitar.] [Then the drums.] [Leave only acoustic strum, bass and footsteps.] [One final reverse-guitar flash appears behind everything.] [The acoustic keeps moving forward.] [Hard cut mid-strum.] [OVERALL VOCAL DIRECTION] [This should feel like a compact pilgrim manifesto. The architecture is NO CONTINUING CITY → BUT → WE SEEK → ONE TO COME. Male tenor stays dry, grainy, breathy and conversational with fast-flow indie-folk phrasing and loose urban swagger. Acoustic guitar is the motion; boom bap is the pavement underneath it. Keep the Scripture repetition very restrained because the brevity is part of the power. Backup vocals sound like rough fellow travelers walking beside you, never a choir. Psychedelic moments should feel like glancing backward at a world that is already disappearing. Alt-rock blooms only around “ONE TO COME.” No glossy folk-pop, polished CCM, cinematic heaven wash or bluegrass dominance. Raw, brief, restless, pilgrim-hearted, homeward.]