Romans 13:13-14
U
Lyrics
[0:00–0:22 — FIRST PASS / CUT OFF THE ACCESS] Romans thirteen, thirteen through fourteen. Let us walk honestly, as in the day; not in rioting and drunkenness, not in chambering and wantonness, not in strife and envying. But put ye on the Lord Jesus Christ, and make not provision for the flesh, to fulfil the lusts thereof. [Start almost bare: dry phone-mic male tenor, faint room hiss, muted acoustic pulse, warm bass note and one distant electric-guitar shimmer. No full drums. Let “walk honestly, as in the day” sound clear-eyed and practical. Deliver the warning list quickly, rhythmically and without moralizing. Save the hardest emphasis for “make not provision.”] [0:23–1:00 — SECOND PASS / THE GROOVE GETS SHARPER] Romans chapter thirteen, verses thirteen through fourteen. Let us walk honestly, as in the day; not in rioting and drunkenness, not in chambering and wantonness, not in strife and envying. But put ye on the Lord Jesus Christ, and make not provision for the flesh, to fulfil the lusts thereof. [Bring in dusty boom-bap drums, warm bass guitar, quick muted acoustic strum, foot stomp, hand percussion and wide alt-rock haze. Keep it chill but tighter and more percussive than the previous tracks.] [LEAD] Let us walk honestly. [ONE ROUGH OFF-MIC VOICE] Honestly. [LEAD] As in the day. [Move immediately into a faster flow.] Not in rioting and drunkenness, not in chambering and wantonness, not in strife and envying. [Let each “not” hit against a kick or muted acoustic chop.] But put ye on— [MICRO-SILENCE] The Lord Jesus Christ. [ROUGH CREW — ONE WARM RESPONSE] Jesus Christ. [ACOUSTIC MICROBURST: one quick bright fingerpicked flourish after “Christ,” then straight back to the strum.] [1:01–1:33 — INTERLUDE / DON'T STOCK THE SHELF] Ooh. Yeah. Make not provision— [BEAT CUT] For the flesh. [ONE LOW VOICE] No provision. [Keep it tiny and direct.] To fulfil the lusts thereof. [Let the bassline go almost completely still.] [PSYCHEDELIC MICROBURST: one reverse electric-guitar tail sounds like something reaching backward for an old habit, then gets abruptly chopped off.] Put ye on the Lord Jesus Christ. [ALT-ROCK MICROBURST: one brief warm overdriven guitar bloom opens after “Christ,” then disappears.] Make not provision for the flesh. [ONE ROUGH VOICE] Cut it off. [Spoken, low, one time only.] [1:34–2:16 — THIRD PASS / REMOVE THE PLAN BEFORE THE MOMENT] The epistle of Paul the apostle to the Romans, chapter thirteen, verses thirteen through fourteen. Let us walk honestly, as in the day; not in rioting and drunkenness, not in chambering and wantonness, not in strife and envying. But put ye on the Lord Jesus Christ, and make not provision for the flesh, to fulfil the lusts thereof. [Start with close lead and acoustic strum only. Add foot stomp, bass, boom-bap kick/snare, then wide electric haze. Let this pass feel resolved and alert, not more polished.] [LEAD] Let us walk honestly, as in the day. [ONE ROUGH VOICE] In the day. [LEAD] But put ye on the Lord Jesus Christ. [ROUGH CREW — ONE SHORT RESPONSE] Put ye on. [No repeat.] And make not provision— [SHORT SILENCE] For the flesh. [Let the lead come closer to the mic.] To fulfil the lusts thereof. [Let the final line fall low and completely dry.] [SECOND ACOUSTIC MICROBURST: one tiny muted acoustic flick after the final word, then gone.] [OUTRO / DON'T LEAVE THE DOOR OPEN] Ooh. Yeah. [No more scripture repetition. Let the fast acoustic pulse ride under dusty drums, warm bass, foot stomps and wide electric shimmer. One friend hums rough harmony. Another clap lands late.] [PSYCHEDELIC MICROBURST: one tape-rewind fragment starts to pull backward, then gets hard-stopped before it completes.] [Hard cut mid-strum.] [OVERALL VOCAL DIRECTION] [This track should feel like preventative discipline rather than recovery after failure. The architecture is WALK HONESTLY → NAME THE OLD BEHAVIORS → PUT ON CHRIST → MAKE NO PROVISION → DON'T FEED THE FLESH. Male tenor stays dry, grainy, breathy and conversational with fast-flow indie-folk phrasing, quick imperfect runs and loose urban swagger. Acoustic guitar is a true rhythmic layer; boom bap remains the backbone. Let the warning list move quickly, but create hard space around “MAKE NOT PROVISION FOR THE FLESH.” Backup vocals sound like rough fellow travelers helping each other shut doors before temptation arrives—low yeahs, worn oohs, tiny spoken cues, late catches. Psychedelic moments should sound like old habits trying to rewind the tape, then being cut off. Alt-rock blooms only around putting on Christ. No glossy folk-pop, polished CCM or bluegrass dominance. Raw, chill, preventative, disciplined, clean.]